CRAFTING SELVES KONDO PDF

Chicago: University of Chicago Press, Her experiences there suggest that identity is multiple and relational and that the famed Japanese ideology of the workplace as a family does not go uncontested by workers, who are quick to resist it and to use it to criticize their bosses on its own terms. Part 2: Argument, Sources, Examples In Part Two Kondo explores the discourse of the ie, which survives extra-legally in Japanese society as a powerful normative force in family life and which is applied equally ready to the workplace: companies are seen as families, even though thanks to the legal postwar dissolution of the ie system they are much less familial than they theoretically were in the Tokugawa period. Even as the confectionery company officers attempted to impart the workplace a familial feel, workers were able to deploy and take advantaged of that same familial discourse to resist their positionings--up to a point. Part 3: Argument, Sources, Examples Part Three is arguably the strongest in the book; in its first chapter, Kondo explores the myth and discourse of the independent artisan, which still survives at a certain level in Japan even as modern capitalism increasingly leaves it a hollow set of ideals.

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Cultural Theory, Contemporary Performance in the U. Specialties include: race and power, performance studies, theories of the subject, cultural theory. Worldmaking: Race, Performance and the Work of Creativity.

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Empire and Masculinity. Applause Theatrebooks. Women Writing Culture. Poststructuralist Theory as Political Necessity. Uchi no Kaisha: Company as Family?. Remade in Japan: Everyday life and Consumer Tastes.

The Aesthetics and Politics and Artisanal Identities. Japanese Selves: Creating and Receiving Culture. Visual Anthropology. Feminism and Orientalism. Committee on Women in Asian Studies Newsletter. Women of Color and the Cultural Politics of Identity. California Sociologist. Cultural Critique. The Forbidden Stitch. Cultural Anthropology.

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